(L-R)
Josh Gad and Andrew Rannells (Photo: Matthew Murphy)
Gutenberg!
The Musical!
By
Fern Siegel
Musical
theater spins its own magic. And those caught by the bug, will do anything to
perform it. That's the premise behind Gutenberg! The Musical! Now on
Broadway at the James Earl Jones Theatre, the two-man production is notable
largely for its stars: Josh Gad and Andrew Rannells.
The
duo, who wowed Broadway in The Book of Mormon, are back showcasing their
comedy chops, this time, as Bud (Gad) and Doug (Rannells), two earnest guys
from Nutley, New Jersey. They are presenting - for one night only - their
latest musical effort: Gutenberg! The Musical! (Their previous efforts
included Stephen King! The
Musical!)
Yes, they mean Johannes Gutenberg, the 15th-century inventor
of the printing press, which led to the spread of literature throughout Europe.
A key figure in history, the German inventor is credited with creating the
process for mass-producing movable type. He is best known for publishing the
Bible.
While
Gutenberg may be an unusual subject for musical comedy, Scott Brown and Anthony
King, responsible for book, music and lyrics, have merged his story with the musical's
two delusional authors, creating an energetic show. They are backed by three members
of Middlesex, New Jersey's premier wedding band, The Middlesex Six.
Or
as Bud explains, "Gutenberg! is historical fiction. It's fiction that's
true!" Silly? You bet. It's a thin show, set in the made-up town of Schlimmer, but
an engaging one. That's thanks to Gad and Rannells, both masters of physical
comedy, who are equally adept at projecting sincerity and pathos, often at the
same time. True, they had to "sell a car to afford Broadway tickets," but musicals
are everything to them, seeing, writing and performing.
Gutenberg! is just that: The
pair rent a theater for a backer's audition and play all the parts in their
wacky show, wearing various baseball caps sporting the names of different
characters. From illiterate Helvetica, who works at Gutenberg's wine-press shop,
to every drunk, monk and anti-Semite in the village, the pair zips through
various roles while relaying the printing press' genesis. Plus, to ensure their
musical has weight, they've chosen to address an important theme:
anti-Semitism. (Not really, but it's part of the show-within-a-show
explanation.)
En
route, they also share personal details.
The
two leads click, and their enthusiasm is contagious. They also like to instruct
the audience on theatrical terms: motif, foreshadowing, the big 11 o'clock
number. The latter, they explain, is crucial to a musical's success. A song so
catchy, that "tween girls struggle to sing it in the shower."
Unfortunately,
Gutenberg!, despite the audience's enjoyment, is too long. It's a
one-act stretched into two. There are pleasant melodies and a few catchy
numbers, but it doesn't hit any great comedic heights, however much director
Alex Timbers tries.
The
show originally debuted off-Broadway in 2006 and frankly, that's where it
should stay. (Its authors were Tony-nominated for Beetlejuice on
Broadway.) Part of the conceit of Gutenberg! is its intimate nature.
It's occasionally funny and often nuts. But without any real takeaway, the
pleasure is watching two accomplished comedic actors take center stage.
Gutenberg!
the Musical!
James Earl Jones Theatre, 138 W. 48 St.
Running
time: 2 hours
Tickets:
https://gutenbergbway.com/