“To Life! Celebrating 50 years of Fiddler on the Roof“ with Sheldon Harnick” at 92 Y Lyrics & Lyricists
L-R: Ross
Lekites, Alan Schmuckler Jonathan Hadary, Antoine Silverman on violin, Judy
Blazer, Leah Horowitz Kerry Conte photos Richard. Termine
by Linda Amiel Burns
Artistic Director Rob Fisher notes “a work of art is a work of
genius when the subject is so specific that it bursts into universality.” Well,
the show Fiddler on the Roof has a universal theme that everyone relates
to, that of family and traditions. It is the work of several geniuses that all
came together to create one of the best shows of the musical theater that is
celebrating its 50th Anniversary. Producer Hal Prince believed in the project
that was based on stories of Sholom Aleichem, the team of Jerry Bock (music)
and Sheldon Harnick (lyrics) worked on the score and Joe Stein wrote the book.
However, it was when another genius choreographer/director Jerry Robbins came
on board that the show really began to take shape.
Legendary lyricist Sheldon Harnick was a guest in the first season
of L & L in 1971, participated in nearly two dozen programs and this is his
7th collaboration with Rob Fisher. What a treat to listen to the
great Sheldon Harnick host “To Life! Celebrating 50 years of Fiddler on the
Roof” and discuss the processes and decisions which resulted in the final
score and how this iconic show came to be. He and Jerry Bock composed nearly 50
songs and only about one third of them were used. The terrific cast of Judy
Blazer, Kerry Conte, Jonathan Hadary, Leah Horowitz, Ross Lekits and Alan
Schmukler performed many of the songs that were changed, given to other
characters and/or were ultimately cut from the show. Rob Fisher led the band
of remarkable musicians, which included Antoine Silverman on violin, Andrew
Sterman on clarinet, Dick Sarpola on bass, Erik Charlston on percussion and all
smoothly directed by Gary Griffin.
Judy, Kerry & Leah sang the original opening song for the show
as Golde and her daughters prepared for the Sabbath singing “We’ve Never Missed
a Sabbath Yet.” This was cut and “Tradition” was used to open the show. The
song for Lazar Wolf “A Butcher’s Soul” was a favorite at backer’s auditions,
but was cut when Jerry Robbins said that the emphasis should be on Tevye and
not the butcher.
Jonathan sang Tevye’s clever song about his horse “That’s Life!”
that was also eliminated. “Now I Have Everything” originally assigned to Motel
when he gets permission to marry Tzeitel, went to Perchik, the Revolutionary.
Motel was given the joyful and exuberant “Miracle of Miracles.” When Leah sang
“Somehow The Time Will Pass,” as Hodel, the lyrics didn’t match the melody that
we knew. Then we found out that the lyrics were changed and became the moving
“Far From The Home I Love” performed by Kerry.
Judy & Jonathan sang “Dear, Sweet Sewing Machine” another
favorite which was cut in Detroit. The director realized that the story of Motel
and Tzeitel had been told and this song didn’t work bringing them back at that
time. It was fascinating to hear the inside stories about the creation of the
show and the hard decisions that have to be made from the brilliant Sheldon
Harnick who wrote the fine script, sharing his personal memories. He is
articulate, sings beautifully and has a terrific sense of humor. After Kerry
& Leah sang a “Matchmaker Reprise” as the two youngest daughters (ages 10
& 11), Sheldon wondered why it had not been used as it was quite good.
“Any Day Now” was written for the 1971 film for Perchik played by
Paul Michael Glaser who had a limited vocal range. At the screening Sheldon
told director Norman Jewison that he was disappointed in the way the song was
sung, so instead of dubbing another voice, the song was cut as the movie was
running long. Ross perfomed a terrific rendition of this powerful song.
Zero Mostel, the original Tevya loved the song “When Messiah
Comes” that Sheldon and the cast performed, and fought to keep it in, but
ultimately it was cut. “Anatevka” with different lyrics was once paired with
“Letters From America” and was in another part of the show. “Letters” was
gone; lyrics changed to “Anatevka” and this haunting song was sung at the end
of the show as the people are forced to leave their beloved town.
The last song was a surprise, a song entitled “Fiddler on the
Roof” that was written after the show was a hit for a recording and the lyrics
are to the tune of “Tradition.” Sheldon said that it was the first time it was
performed on stage and that it might never be heard again.
This has been a remarkable season of Lyrics & Lyricists,
but it doesn’t get any better than this program with Sheldon Harnick, being
able to hear these wonderful stories “straight from the horse’s mouth.” Rob
Fisher said “I am pleased to help Sheldon recount the decision-making journey,
and so grateful to him for presenting the amazing unsung Fiddler he
still loves and the world deserves to hear.” We are grateful to Rob Fisher and
everyone involved in bringing this one-of-a-kind concert to the 92Y and
“grateful that a series like Lyrics & Lyricists was able to have the
story told.”
The 2016 Season “Inside The American Songbook” has been
announced. For more information, Visit: 91Y.org/lyrics or call:
212 415-5500.
92Y
Announces Lyrics & Lyricists™ 2016
Season
Subscriptions on Sale
Today
Single
Tickets on sale August 3
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A FUNNY
THING HAPPENED: SONGS FROM THE ROAD TO BROADWAY
Kathleen
Marshall, Artistic Director & Host
BATTLE
OF THE AIRWAVES! WHEN THE SONGBOOK MET ROCK & COUNTRY
James
Naughton, Artistic Director & Host
WITCHCRAFT:
THE JAZZ MAGIC OF CY COLEMAN
Billy
Stritch, Artistic Director & Host
EVERYTHING’S
COMING UP ETHEL: THE ETHEL MERMAN SONGBOOK
Ted
Sperling, Artistic Director & Host
I HAVE
CONFIDENCE: RODGERS AFTER HAMMERSTEIN
Ted
Chapin & Bill Rudman, Co-Artistic Directors & Hosts
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Deborah
Grace Winer, Series Artistic Director
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