The Cast of Heart of Rock and Roll
(Photo: Matthew Murphy)
The Heart of Rock and Roll
By Julia Polinsky
Sometimes, musical theater is charming and predictable and
silly and hummable and fun. Sometimes, that's just what you want. The Heart
of Rock and Roll delivers one of those times. Delightfully. In 2024, the
jukebox musical is part of the theater landscape, for better or worse. With The
Heart of Rock and Roll it's definitely for better, as it spackles a plot
around the back catalog of 1980s superstar pop band, Huey Lewis and the News.
A lot happens in The Heart of
Rock and Roll. Long story short: Bobby (Corey Cott) works on the assembly
line in a cardboard factory. He wants to move up to sales executive. Screws up.
Gets fired. Makes a cockamamie plan to get his dream sales job and succeed. At
the same time, his old rock band wants him back. Plus the boss's daughter. Plus
the boss's daughter's ex-BF. Plus the head of HR helping him out. Plus his
dad's old guitar. Plus some very odd moments surrounding a sauna, some tree
branches, and the Swedish owner of a flat-pack furniture corporation.
Corey Cott, Raymond J. Lee,
John-Michael Lyles, F. Michael Haynie (Photo: Matthew Murphy)
Is there an actual plot through all of this? How many do you
want? Aside from the boy-meets-girl plot, there's also the Live Your Dream
plot, the We're Counting On You plot, the Make Something Of Yourself plot, the
Do It For The Beloved Dead Parent plot, the Do It For Your Old Friends plot,
the Greed is Good plot (hey, it's the 80s) and somehow, all these plots
resolve, fairly satisfyingly, in less than 2 ½ hours although the second half still
has a bad case of the doldrums. Despite the hilarious 2nd act opener
-- a Richard Simmons-like aerobics class - things go downhill from there, with
uneven songs, too much contemplation, and preposterous plot points.
Tommy Bracco and The Cast
of Heart of Rock and Roll (Photo: Matthew Murphy)
Some highlights: "Hip to be Square" set
in the cardboard box factory's assembly line, employs flattened boxes in a
dozen ways, doing multiple riffs on "square." The bubble-wrap dance brings new
meaning to "poppy" as a descriptor for Huey Lewis and the News's music. The marriage
dream sequence is hilarious, and the final song is just killer.
The show is buoyed by terrific
performances. Some standouts: Corey Cott is appropriately
lunkheaded-but-solidly-sweet as Bobby; McKenzie Kurtz gives Cassandra a
splendidly funny, uncomfortable nerdiness. Tamika Lawrence kills it as Roz, the
HR administrator; Billy Harrigan Tighe's villainous Tucker is just splendid.
Scenic design from Derek McLane
handily evokes the 80s, as do costumes by Jen Caprio. Super, appropriately over
the top hair, wig, and makeup design comes from Nikiya Mathis. Director Gordon
Greenberg works his cast around a mostly predictable and reasonably
entertaining book by Jonathan A. Abrams. With Lorin Latarro's exciting,
tongue-in-cheek choreography, Brian Usifer's arrangements of the Huey Lewis
songs, the show is fun to watch, hear, and bop to in your seat. Which the
audience definitely does.
It's not unreasonable to expect
people of a certain age to enjoy this show - Huey Lewis and the News are the
80s incarnate, so late-boomers are probably the target market. Surprisingly,
the enthusiastic audience response came from all ages. That's a good sign that
Broadway can survive.
Good triumphs; evil is vanquished,
and the hero, heroine, villain, Swedish corporate gent, and HR manager get to
live the dream. Why worry about the details? There's a lot to be said for
unabashedly being who you are, and The Heart of Rock and Roll is
unabashedly a joyful, unpretentious jukebox musical. Terrific cast, tons of
fun, and a welcome lightness in the very serious 2023-24 Season.
The Heart of Rock and Roll
At the James Earl Jones Theater
138 W. 48th St.
Running time: 2 hours 30 minutes.