Photos by Joan Marcus
By
Michall Jeffers
Christmas
in October? Just fine this year, with the opening of Holiday Inn, The New
Broadway Musical. Based on the hit 1942 movie, and best known for the
classic “White Christmas,” which won the Oscar for best song, it featured song
and dance by Bing Crosby as Jim Hardy, and Fred Astaire as Ted Hanover. Here,
Jim is played by Bryce Pinkham, who, it must be said, is a much better singer
than crooner Bing. Corbin Bleu skillfully tackles the role of Ted, who loves
performing almost as much as he loves himself. Both Pinkham and Bleu put their
own stamp on the song and dance team, bringing joie de vivre and ample talent
to the stage.
Jim
is getting ready to leave show biz for a farm in Connecticut. He’s proposed to
glamourous Lila Dixon (Megan Sikora), who has agreed to be his wife. But Lila
is appalled by Jim’s plan to be a farmer, and instead takes off on the road to
continue as a dancing duo with Ted. Heartbroken but still determined, Jim sets
off for what he thinks will be an idyllic life. But there are numerous bills to
pay, and the place is literally falling apart. Luckily for him, Linda Mason
(Lora Lee Gayer) stops by to pick up a few things, and realizes that her old
home will never survive until she gets some help for Jim. She brings in wise
cracking handywoman Louise, who immediately moves in and sets things to right.
A
huge pat on the back must be given to Jenifer Foote, who filled in for Megan
Lawrence at this production. In the great tradition of understudies in Broadway
theater, her performance was superb. She was funny, lovable, and added
immensely to the show. While Ms. Lawrence is undoubtedly terrific, Foote was
also outstanding, and worked well with the rest of the cast.
When
Jim finds out that Linda once had aspirations to be on stage, and his old
theater friends show up for a bash, a lightbulb goes off. Why not open the Inn
on holidays only, and invite all the New York big shots to take in the
performances? The willing suspension of disbelief doesn’t end with this
brainstorm. Jim and company manage to perform, with little or no rehearsal,
spectacular productions with outstanding scenery. Set designer Anna Louizos has
also done a mighty fine job bringing the farmhouse and surroundings to life.
Add to this the glittery, amusing costumes by Alejo Vietti. They shimmer, they
shake, and they reach the high point in the flashy orange-brown turkey outfits
worn by the chorus girls. This avatar is set in the late 1940’s, and a return
to the glamour that was curtailed in the days of World War II is in glorious
evidence here. These people are ready to party on a grand scale.
Of
course, the main draw of any production called Holiday Inn is the music
by Irving Berlin. The audience would feel cheated without renditions of such
favorites as “Blue Skies,” “Steppin’ Out With My Baby,” “Heat Wave,” “It’s A
Lovely Day Today,” and of course, the aforementioned “White Christmas.” But
even the maestro laid the occasional egg. It’s just all but impossible to warm
to a lyric like “Be careful, it’s my heart; it’s not my watch you’re holding,
it’s my heart.” “Plenty To Be Thankful For” and “Song of Freedom” are two more
less than stellar offerings. But in the spirit of Thanksgiving, we must be
grateful that the minstrel number and blackface have been removed, and we don’t
have to suffer through lines like “Is your names Miss Linda?” from the noble
African-American actress Louise Beavers, who elevated her character Mamie into
not just Jim’s housekeeper, but a gentle, wise helper who convinces him to find
his way back to Linda. So much better to have the sassy, exuberant Louise in
the mix. And it’s a nice thought that the name may be a tribute to Ms. Beavers.
For
anyone seeking an uplifting, tuneful show that can be enjoyed by young and old
alike, you can’t do much better than this production of Holiday Inn in
the upcoming joyful season.
Holiday
Inn, The New Broadway Musical,
Studio 54; 254 W. 54th St.; 212-719-1300
www.roundabouttheatre.org/holiday-inn, 2 hours 15 minutes
Through
1/15/17
Author: Music
and lyrics: Irving Berlin; Book: Gordon Greenberg & Chad Hodge ; Director:
Gordon Greenberg; Choreographer: Denis Jones
Sets: Anna
Louizos; costumes: Alejo Vietti; lighting: Jeff Croiter
Cast:
Bryce Pinkham, Lora Lee Gayer, Megan Lawrence, Megan
Sikora, Corbin Bleu, Lee Wilkof, Jenifer Foote