by Edward Medina
Randy has
written a novel and he wants to read it to you. Actually, he needs to read it
to you. He’s slaved and labored and sacrificed to get it done and he wants to
make sure it’s just right. He wants to know if it qualifies as art. He must
know if it measures up to the great authors that have come before him and even
the ones that will come after him. His search for artistic perfection is his
main driving force. So much so that he’s not even sure that his art exists
whether he reads it out loud or not. He even questions if you just knowing he
wrote something is enough to mark his work as artistically sublime. He wonders
if he really needs to read it to you at all. This drives Randy’s existential
dilemma. It’s why Randy continues to distract himself from the task at hand.
Randy is a
puppet. A very self-aware puppet in fact. Not only that, he’s a puppet on a
hysterically funny journey to discover the meaning of life and all its
peculiarities. He wants to know what makes us all tick. Randy is alone for the entire
ninety-minute mind trip onstage at Theatre Row’s Clurman Theatre. He’s at his
desk, well used typewriter to his right, continually unread manuscript to his
left, and strewn all around the floor are chaotic piles of books and torn and
crumpled papers. Randy has been hard at work and his mind is a buzz with
thoughts he must express. All of Randy’s work pays off in a very funny evening
of outright truths, blatant lies, broad exaggerations, and accurate
observations
An evening
with Randy is a combination of stand-up comedy and puppetry. It’s both wildly
improvised and intelligently scripted. You’ll find yourself literally howling
with laughter. Randy encourages that. He loves his audience to shout back at
him, question his observations, and articulate their own opinions. The whole
evening becomes a riotous amalgamation of master puppet and willing audience.
You’ll find yourself laughing through riffs on Harper Lee’s other book, a
three-and-a-half-minute condensed version on the life of Ernest Hemingway that
blossoms into a remarkably funny yet astute conversation on the value of art
versus character. You’ll also find social commentary being delivered on
subjects like Veganism versus Carnism and there’s a Craig’s List story that
will have you doubled over with an ending you will never forget. All this and
more while Randy struggles and keeps stalling the reading of his presumably
epic creation.
Randy’s own
puppet master is a mystery. Whoever it is doesn’t want you to know because it
doesn’t matter. Randy is Randy. He’s his own man with his own thoughts. Randy
has been lauded and acclaimed. He’s travelled the world presenting and
perfecting himself before many an adoring crowd. Before arriving in New
York, he toured the country in order to understand his American fans better.
The puppet has done his homework. Randy himself will tell you that what he’s
presenting on stage is an anthropological social experiment and a one helluva
good time. As always Randy, a philosopher in fabric and flock, is more than
right.
Clurman
Theatre
Theatre Row
410 W 42nd
St
New York, NY 10036
212.239.6200
http://randywritesanovel.com/
$81.25
April 18 –
June 9, 2018