By Rachel Goddard
For
the past eighty-four years, the Radio City Rockettes have faithfully reminded
us just how magical New York is at Christmas. In the largest indoor theater in
the world, this Christmas tradition has charmed audiences of tourists and New
Yorkers alike ushering in the Holiday season. The Radio City Rockettes always
bring that timeless quality from the flashy costumes, the classic Christmas
music, to their signature dance style. It’s a welcome break from the harsh
reality of New York in winter and brings the audience to a simpler, more
optimistic time. Yet, the use of cutting-edge technology in their production
elements earns this Christmas show the title “spectacular” every season,
increasing the wow-factor and hidden surprises for those audience members that
attend every year.
Unlike
years past, the audience doesn’t have to wait very long for those eye-high
kicks that made the Radio City Rockettes famous. Within the first number,
thirty-eight reindeer-clad Rockettes show off that astonishing kick-line. Included
in the many spectacular aspects is the adorable teddy bear rendition of
Balanchine’s The Nutcracker, over fifty Santas taking over the stage in
“Here Comes Santa Claus” and an extravagant and beautiful nativity scene. Not
one aspect of the Holiday celebration is missing from this year’s Christmas
Spectacular.
With
lighting design by David Agress and set by Patrick Fahey the impressive details
and extravagance reach every part of the theater. At Radio City,
bigger is evidently better. The traditions of the Radio City Rockettes you
expect are still there but as the technology increases, so does the spectacle
of the special effects. A 3D screen taking us through the many sights of New
York City following Santa’s sleigh is one of the first ones. They create Santa
Claus’ workshop extending to the heights of the proscenium covered by larger
than life toys and wrapped presents. Moments of spectacle reach the height of
its energy with actual fireworks exploding across the colossal stage and giant,
free-flying snowflakes glittering and floating above the audience’s heads. The
projections jet past the backdrop of the stage into the sides and ceilings of
the hall. A central park is replicated right on stage with ornate sets
including a small skating rink with impressive figure skaters. The combination
of large walls of projections with the physical sets builds a giant,
spectacular world that you won’t (and can’t) get anywhere else. The aesthetics
wouldn’t reach that striking level that they do without the stunning costumes.
The costumes contribute just as much spark to the Christmas Spectacular as the
sets and lights. There are details on each piece only noticeable to those in
the first few rows of the audience but also has the flashiness and vibrancy to
reach the back rows of the balconies. Whether it’s the candy cane leotards or
the sparkly snowflake dresses, the Rockettes were glimmering with the rest of
the lights of the music hall.
The
precise dance and ever-changing formations that these talented and cross-trained
dancers make look easy is far from effortless. Tapping, kicking and gliding
across the stage with tightest of motions the Rockettes cannot have even a
finger out of place. With eight different dance numbers and over two-hundred
kicks per performance, not one is remotely out of sync with the other
thirty-seven dancers. The choreography alters from year to year but the style
and sharpness that they are known for never changes. Also featured is an
ensemble of dancers and and a small group of singers that grace the stage in
the scenes and songs the Rockettes are not in. These dancers were of course
excellent but certainly not the reason you buy the ticket. Without the
Rockettes on stage all you’re left with is the chorus of a mediocre Broadway
musical. But when the Rockettes are working their foot magic, there is nothing
more impressive and the energy of the audience sky-Rockettes!
Under
the direction of Julie Branam and Linda Habernam, The Christmas Spectacular has
the challenging task of combining all of the performance arts into one giant
show with splashy dance numbers, a symphony, and a story line played out by a
cast of actors and singers. The Spectacular isn’t just one entity but many
performance vehicles combined into one fantastic variety show. The way the
Rockettes are incorporated into each scene as different characters brings new
life to what could be very repetitive dances. The story gives purpose to all of
the spectacle and showy musical moments and engages the audience to invest just
a little deeper past mere entertainment.
Perhaps
the the most necessary element in a Holiday show like this one, is of course
the music. Original music was composed by Mark Waldrop, Gary Adler and Mark
Hummel and together with the Christmas tunes we all know and love they serenade
us into the Christmas spirit, underscoring the New York Holiday tour the show
takes us on. With two large organs being played as the audience arrives and a
large orchestra that is elevated from the pit. Included with the many Christmas
classics are original songs to accompany a brief story throughout starting in
the middle of the show. The original songs certainly endear the audience to the
characters and create a nice through-line from number to number. The story and
original numbers don’t exactly stand alone but the songs and scenes give the
show a cohesive quality, Narrated by Santa Claus with Christmas all of our
favorite characters the production can pride itself on leaving no entertainment
component to the wayside.
With
live animals, fireworks on stage and awe-inspiring sets, nothing is quite as
magical as the thirty-eight dazzling dancers high-kicking in unison to our
favorite holiday songs. Honoring tradition and celebrating the season is what
the Radio City Rockettes do best and they’ve certainly delivered on it this
year as they do every year.
Radio City
Music Hall
1260
Avenue of the Americas
Tickets
available until January 2, 2017
https://www.rockettes.com/christmas/