Nancy Ma, Kim Wuan
(Photo: Russ Rowland)
Warrior
Sisters of Wu
By
Julia Polinsky
The
tag line for Damon Chua's delightful play, Warrior Sisters of Wu, is "Romance
of the Three Kingdoms meets Pride and Prejudice." Romance of the
Three Kingdoms is a classic Chinese epic and billions of people have known
and loved this novelization of Chinese history for centuries, although it's
less known in the Western world. Pride and Prejudice is, of course,
among the best-known romantic comedies in the West. These two stories and styles
blend into a play as smooth as silk.
Written
in the 1300s, Romance of the Three Kingdoms is set in the Han dynasty on
the brink of war, almost 2,000 years ago. It has inspired many Chinese movies
and TV shows. Romance of the Three Kingdoms may not be a super-famous
work in the Western world, but it makes a solid framework for Warrior
Sisters of Wu's love/hate story.
To
make Warrior Sisters of Wu Westerner-friendly, Chua also took
inspiration from Pride and Prejudice to create the chick lit aspects of
this tale of two strong warrior women pitted against two military men. Yet as much
as the play feels like a rom-com, it also speaks to changes in philosophy,
power structures, law, and gender equality at the end of the Han Dynasty (206
BC - 220 AD).
Warrior
Sisters of Wu centers on the daughters of the widowed
court gentleman, Lord Qiao (Michael C. Liu). We meet Qing (Kim Wuan) and Wan
(Nancy Ma) as they practice their deadly serious fighting skills. Qing and Wan are
more than beautiful women; they are trained martial artists who wield their swords
with deadly grace, use Kung Fu, and are ready to fight for their country in the
coming war (fight choreography by Michael G. Chin). Qing is a Daoist; Wan
follows the Confucian philosophy, a clash of ideas that reflects the history of
the time.
Michael C. Liu, Dinh James Doan (Photo: Russ Rowland)
Lord Qiao has no sons, and his heir, Cousin
Xie (Dinh James Doan), a vulgar social climber, comes to gloat over his
soon-to-be property. He offers to marry the elder daughter, Qing, because he
wants at least 10 heirs. We who have met Qing know this is
unlikely-to-impossible. She's a warrior woman, and nothing but another warrior
will match her.
Younger Sister Wan is more happily suited to
her suitor, Zhou Yu, a general in the army. His best friend, General Sun Ce,
clashes with Qing, emotionally, figuratively, and literally, sword on sword.
It's a violent meet-cute but works out, eventually.
David Lee Huynh, Kim Wuan (Photo: Russ
Rowland)
Much is made of the Qiao sisters being the
equals, if not the equivalents, of the men of their time. There's a duel of
wits, as well as the sword fight; humiliation; passion; and the drive to
understanding and love. In the end the heroine gets the guy, but not without
more terrific live fight scenes.
The
Pan Asian Rep's production makes the most of the spare space at the A.R.T/NY
Mezzanine Theatre. Bare bones it may be, but director Jeff Liu does a lot with
the alley-style performance space with a few rows of seats on either side. Gorgeous
projections (Gregory Casparian) superb costumes (Karen Boyer) and minimalist
set design (Sheryl Liu) beautifully evoke the Han Dynasty.
The author writes with language that makes
this story completely accessible to a contemporary audience. Considering that
Qing and Wan are popular avatars in the
"Dynasty Warriors" videogame series, having a
modern take on this ancient boy-meets-girl story feels like it brings this
gamer reference into the theater, and is refreshing and modern.
A brief scene at the end of Act 2 explains some
of the history and how it's playing out over time, then after the cast
addresses the audience, they demonstrate their beautiful, elegant sword
exercises.
Vin Kridakorn, Kim Wuan, David Lee Huynh,
Nancy Ma, Dinh James Doan (Photo: Russ Rowland)
The
sword-wielding Wu sisters will charm you as they do those around them in this
romantic, female-forward re-telling of part of the Three Kingdoms saga. Happy
Year of the Dragon!
Warrior Sisters of Wu
At
A.R.T./NY
502 W 53rd St.
Tuesday-Saturday at 7; Saturday and Sunday at
2:30
Tickets:
https://ci.ovationtix.com/252/production/1184411