Cole Thompson, Paolo Montalban, Jo Ellen
Pellman, Kennedy Kanagawa and Mike Cefalo. (Photo:Russ Rowland)
White Rose
By Fern Siegel
It s
easy to protest if your life isn t in danger. When it is, standing up to
tyranny takes a special brand of courage.
Such
courage defined a group of real-life university students, led by Hans and
Sophie Scholl, who opposed Adolph Hitler from 1942-1943 a treasonous act in
Nazi Germany. As a soldier on the Eastern Front, Hans (Mike Cefalo) had seen
the mass murder of Polish Jews. Horrified by Nazi brutality and the lack of
resistance by fellow Germans, Hans and University of Munich students formed the
White Rose, a secret protest group.
Natalie
Brice (music) and Brian Belding (book/lyrics) have transformed that momentous
act into White Rose, a chamber musical now playing off-Broadway at
Theater Three/Theater Row. The show shines a light on historic events
well-known in Germany, but little known here.
The
musical tells a true story with sensitivity as well as the genesis of a
political conscience. It is also a strong reminder of the courage and idealism
of young people who consider righteousness and moral duty paramount.
Resistance, they believed, was a patriotic act, even at the risk of their own
lives. Given the authoritarian impulses in the U.S., and the craven cowardice
of many politicians, White Rose s debut is perfectly timed.
However,
given the subject matter, a stronger sense of Nazi menace and terror, which is
missing early on, would underscore the high stakes especially given the
group s tragic outcome.
In
1942, Hans Scholl founded the White Rose movement with some of his fellow
medical students. Among the White Rose members were Christoph Probst (Kennedy
Kanagawa), Willi Graf (Cole Thompson) and later Kurt Huber (Paolo Montalban) a
university philosophy professor. Sophie (Jo Ellen Pellman) becomes a leading
advocate in the fight against fascism and antisemitism.
At
great danger to themselves, White Rose members posted and mailed leaflets that
denounced the regime. They also used graffiti to decry Nazi crimes and its
corrupt practices. Their goal was to achieve a renewal from within of the
severely wounded German spirit. They succeed, in part, thanks to the
protection of Frederick Fischer (Sam Gravitte), a former boyfriend of Sophie s,
who parses his duties by claiming: I m police, not Gestapo.
Acquiring
paper, envelopes and stamps at a time of strict rationing wasn t easy. Alex, a
supportive shopkeeper (Laura Sky Herman), provides them with a critical
mimeograph machine. Incredibly, they engaged supporters throughout the country,
tricking the Gestapo into believing the White Rose had locations nationwide.
Most
telling, the Scholls ideology evolved.
Once
the Nazis came to power in 1933, Sophie, Hans and most of their siblings were
involved in either Hitler Youth or National Socialist cult of youth activities.
(By 1935, it included almost 60% of German boys.) However, the Scholls parents
were critics of the Nazi regime. Hans arrest in 1937 turned Sophie and her
siblings from supporters into active resistance fighters.
White
Rose
tells their compelling story with beautiful pop-style melodies that are almost
operatic in nature. The moving songs narrate the action, aided by Will
Nunziata s mostly smooth direction. Theater Three, a 199-seat theater, is an
ideal setting to stage it. Pellman and Cefalo are particularly strong, and the
cast delivers meaningful performances, though Thompson s Graf is a bit too
jumpy and sophomoric. Herman s part is small, but her vocals and delivery are
notable.
The
production is aided by Sheela Ramesh s music direction, James Noone s sets,
Sophia Choi s costumes, Alan C. Edwards lighting and Elisabeth Weidner s
sound. White Rose has much to
recommend it. And if you catch one of the leaflets at the show s end, inscribed
with anti-war excerpts from the real White Rose, its call to action will haunt
you long after you leave the theater.
White
Rose
Theater
Row/Theater Three,
410
W. 42 St., through March 31.
Running
time: 90 minutes, no intermission
Tickets:
whiterosethemusical.com/