
Puppeteer
Jake Bazel in Disney’s Winnie the Pooh
Photo:
Evan Zimmerman for MurphyMade
Disney’s Winnie the Pooh
by
Deirdre Donovan.
The
theater season just got a whole lot sweeter with the arrival of Disney’s Winnie
the Pooh at Theatre 3 at Theatre
Row. Written by Jonathan Rockefeller (with additional dialogue by
Jake Bazel), this new musical stage adaptation features the Sherman Brothers’
Grammy Award-winning music with additional songs by-–you guessed it—A.A. Milne
himself.
Featuring
larger-than-life puppetry and a team of able puppeteers, this theatrical event
invites us to revisit the classic characters that we all
love: Christopher Robin (Max Lamberg), the beloved Winnie the Pooh
(Jake Bazel), and all his loyal friends who wander through Hundred Acre Wood.
This
musical is kid-friendly. In fact, if you have been looking for a show that can
serve as your child’s first introduction to live theater, look no further than
this Disney confection. Indeed, I invited my 4 year-old neighbor Leo Although I had
had some reservations that this 55-minute entertainment might not hold his
attention throughout, I am happy to report that his eyes were glued to the
stage from the get-go—and he never became bored with the antics on stage.
But then
who wouldn’t be pulled in by this charming story that revolves around Pooh’s
search for honey. True, his best friend Christopher Robin would
typically supply him with this sweet treat. But, with the arrival of
fall, the young lad has gone off to school. Thus Pooh must search
for his own honey to satisfy his sweet tooth. Fortunately, the pudgy
ursid has a lot of anthropomorphic talking friends—Kanga (Kristina Dizon),
Piglet (Kirsty Moon), Rabbit (Emmanuel Elpenord), Tigger (Chris Palmieri),
Eeyore (Elpenord again), and Owl (Dizon again)—who generously help him search
for his grail.
David
Goldstein’s delightful set, lit by Jamie Roderick, includes cotton-like clouds
suspended from the flies, a vegetable garden that has “kerits” (think carrots)
and “cabege” (think cabbage) poking through the soil, a large tree with a
hollowed-out trunk, and a gently rolling landscape for all of A.A. Milne’s
characters to go bumbling through.
The
puppetry is terrific! Each puppet is brought to life by a puppeteer
who speaks (or sings) the fluffy character’s verses and manipulates its
movements with a hand-held gadget, or for the larger puppets, with their own
body. These puppets can walk, dance, somersault, climb, and do all kinds of
gymnastics before the finale arrives in this one-hour show (sans intermission).
Much of
the fun of watching this Winne the Pooh is seeing youngsters’ faces in the audience light up with
smiles as they react to the escapades in Hundred Acre Wood. My
favorite scene? When winter arrives and the snowman—or rather
snowwoman—named Mrs. Winter won’t talk to the affable creatures in Hundred Acre
Wood. The solution? They all decide to take her indoors
to warm her up by the fire.
Okay, the
youngsters might not “get” all of the wit and humor innate to the
story. But the adults sitting beside them surely will—and perhaps
thank the English author A.A. Milne and English illustrator E.H. Shephard for
creating the original Winnie the Pooh stories in 1926.
Thirty-five
years later, in 1961, Walt Disney Productions would gain license from the
estate of A.A. Milne for certain film and other rights for the Winnie
the Pooh stories. Ever
the innovator, Disney would retool the classic Pooh stories into features that
have since developed into one of its most robust franchises.
The
current Disney adaptation at Theatre Row proves that Milne’s classic can
resonate today, even with the tiniest theatergoer. But then its
central theme is friendship and how the building of lasting relationships is
one of the most vital accomplishments in anybody’s life. And who
would argue with that?
A warning
to theatergoers: Disney’s Winnie
the Pooh will close on January 30th. Catch it now—or catch it never.
At
Theatre 3 at Theatre Row, 410 West 42nd Street, Midtown.
For more
information and tickets, visit www.WinnieThePoohShow.com.
Running
time: 55 minutes with no intermission.