Contributing Writer
Samantha Strelitz, Nicole Moore, Derek Ahonen, Kelley Swindall photographer Russ Rowland by Eugene Paul The Amoralists are presenting a two play repertory which they say explores “man’s vicious cycles”. The plays, The Qualification of Douglas Evans by Derek Ahonen, and Enter at Forest Lawn by Mark Roberts each feature the play’s author in…
Sarah Lemp, Mark Roberts, Matthew Pilieci Photos by Russ Rowland By Eugene Paul Enter at Forest Lawn, by Mark Roberts, is the second –and shorter but more vitriolic—play in The Gyre, the title that the Amoralists have given to their repertory play voyage of discovery of the vicious cycles we experience. It is hobbled…
Matt Bogart photos by Matthew Murphy by Eugene Paul If you’re going to write a play about the arguably most complicated figure in Western literature, James Joyce, you are asking for it. And just to make things interestinger , tackling Joyce’s language alone has been a migraine ever since the first publication of…
Lily Rabe and Hamish Linklater by Eugene Paul In this city of miracles, something of a miracle is happening in Central Park and the adumbrations at the Delacorte are many. A. Performances continue to be free, an impossible dream for the dreamer, Joe Papp, a continuing benison to millions of visitors old and new,…
Cherry Jones as ‘Agnes’ photo by Joan Marcus by Eugene Paul Playwright Sarah Treem is just so good she ought to be a Broadway staple. “Oh, a Sarah Treem play? Let’s go.” More, she ought to be in every rep, every regional, every little theater in the land. She’s so good, she makes little…
Photographs by Joan Marcus by Eugene Paul Once upon a time a long time ago in 1973, when a fat, smug country called the U.S.A was being upended with riots and protests about a perfectly natural condition which they had finally legislated in 1964 called Civil Rights, a beautiful baby boy named Lesane…
Back L-R: Sarah Stanley, Kim Wall, and Bill Champion; Front: Elizabeth Boag By Eugene Paul Ah there, first off, we need once again to remind us that Alan Ayckbourn, noted Alan Ayckbourn is here with a passel of his plays. Not all seventy-eight, heaven forfend, no, just four, and of the four, two are…
L-R: Russell Dixon, Ben Porter, and Sarah Parks By Eugene Paul “How else can we hope to cram a life time of events into two or three hours?” asks playwright Alan Ayckbourn in his eloquently terse essay, “Time Was…”, a lovely little gift in the Ayckbourn Ensemble program that accompanies this greater gift, a…
Bill Champion and Kim Wall Photos by Andrew Higgens by Eugene Paul Sitting in front of me were two breathlessly beautiful, makeup free girls, the older one, at least sixteen, extravagantly overdressed, advising her younger companion from her copious notes. Students, I thought. How wise, how even brilliant of their teacher to have sent them…
Eileen Rivera_Hubert Point Du-Jour photos by Paula Court by EUGENE PAUL There’s a grungy someone lying supine at the edge of the stage, nose in the air, ankles crossed, at ease in John McDermott’s vigorously suggestive, multileveled setting , suggestive of what, we are wondering until we are brought up short by the…