Photos by Joan Marcus Reviewed by Eugene Paul They were the most successful religious community in the country. In addition to their farming properties and industries, their stunningly simple esthetic continues to affect millions with its beauty. At their peak, they numbered 5,000. Today, there are six. These are the Shakers, more properly, the…
Kellie Overbey, Emily Walton, Beatrice Tulchin, and Shannon Harrington Photo: Richard Termine. By Marc Miller The title Women Without Men evokes one of those 1950s women’s-prison melodramas, where Hope Emerson terrorizes Eleanor Parker or Ida Lupino bats Phyllis Thaxter around, while Agnes Moorehead or Howard Duff look helplessly on. Hazel Ellis’s 1938 drama, as…
Richard Johnson photo by Farnaz Taherimotlagh. Pappy on da Underground Railroad R. Pikser The Gene Frankel Theater is what used to be called a black box. A few seats, minimal performance space, a piano, and good lighting in what used to be an inexpensive part of town, allowed performers to hone their…
EMMA MEAD by Julia Polinsky Once the Hollywood machine gets hold of something like the Brothers Grimm or Hans Christian Anderson, or, in this case, the Oz books, it’s easy for us to forget how dark children’s stories are. How they come from spaces of loss and fear. Tales of orphaned or abandoned…
Hilly Bodin as Snow White and Courtney Giannone as The Prince By Edward Rubin The ad campaign for Company XIV’s production of Snow White at the Minetta Lane Theatre inspired by the Brothers Grimm’s fairy tale that we all grew up knowing – is being sold as an adult version of the folk tale, reflected…
Jeffrey C. Wolf photos by Matthew Dunivan By Marc Miller Back in ancient history, when there were just three networks, everybody got their news from middle-of-the-road Huntley-Brinkley or Walter Cronkite or Harry Reasoner, and extremism was less extreme. Now political zealots dwell within their bubbles of Fox News or MSNBC, and the…
By Julia Polinsky Director Sean Daniels has paced I and You is if it were dishing out social-media instant information, and the two actors who play the high school students blitz through their dialogue at warp speed. That speed may be appropriate for teenagers, but it serves the story badly. All the clues are…
A Review by Deirdre Donovan Teaser: Kecia Lewis resurrects Brecht’s iconic character with gutsiness and daring at the Classic Stage Company. “Still tough as nails, I see; but that’s what I like about you.” The Cook’s words to Mother Courage in a late scene in Bertolt Brecht’s Mother Courage and Her Children might well apply…
Photos by Carol Rosegg By Julia Polinsky Directors Milton Zoth and John Pierson, of the St. Louis Actors’ Studio, have done what they can to rise above two of the toughest challenges facing much regional theater: actors who do too much, and budget/space constraints that force them to do everything with nothing. As…
Sara Topham and Christian Coulson by Deirdre Donovan Thomas Middleton and William Rowley’s The Changeling is one wild and wooly play. Part tragedy, part comedy, part suspense-thriller, it’s altogether a Jacobean morality play that will make you gasp with horror—and even occasionally giggle. Jesse Berger, the intrepid artistic director of the Red Bull Theater…