Richard Topol, José Espinosa (Photo: Pavel Antonov) The Merchant of Venice By Deirdre Donovan The Arlekin Players Theatre’s new production of The Merchant of Venice at the Classic Stage Company, adapted and directed by Igor Golyak, is a wild and wooly take on Shakespeare’s great work about anti-Semitism and bigotry. Although it brings some fresh…
Scott Shepherd (Photo: Joan Marcus) Gatz By Deirdre Donovan Gatz is back! The Elevator Repair Service’s (ESR) verbatim reading of F. Scott Fitzgerald’s The Great Gatsby returns to the Public Theater for its swan song. Directed by John Collins, and starring Scott Shepherd as Nick, this encore production is truly a gift to theatergoers who…
The cast of Shit.Meet.Fan. (Photo: Julieta Cervantes) Shit. Meet. Fan. By David Schultz Based on a 2016 Italian film, “Perfect Strangers,” this slick, shallow production attempts to update the tale from the film. In fits and starts, it has its perverse amusements, but in the long run it runs out of steam well before the…
Swept Away is a standout entry in the grim-but-entertaining Fall 2024 Broadway season. It’s a solid tell-don’t-show work, in which a narrator talks to the audience to tell a story, at least partly in flashback (book by John Logan). Michael Mayer’s direction makes the most of this storytelling technique, a solid cast, and some lovely…
For anyone familiar with the evangelical scandals of the 1980s, Tammy and Jim Bakker, Jerry Falwell and Jimmy Swaggart are familiar names. The latter two preached fire and brimstone — and their demonizing of liberals and feminists was their calling card. Hell hath no fury like a preacher scorned. Into this world of sin and…
Megan Hilty, Jennifer Simard (Photo: Matthew Murphy and Evan Zimmerman) Death Becomes Her By Marc Miller “Musical Comedy Revitalized,” goes the subtitle for Death Becomes Her, and by thunder, that’s what it delivers. The new musical at the Lunt-Fontanne, adapted from Robert Zemeckis’ dark 1992 film satire on the pursuit of youth and beauty, is…
Dominic Weintraub, William Strom, Hugo Williams, and Claire Bird (Photo: Teddy Wolff) Burnout Paradise By Deirdre Donovan The live game show Burnout Paradise, now making its North American debut at St. Ann’s Warehouse, is experimental theater at its best and zaniest. Directed, written, designed, and performed by Australia’s Pony Cam, a collective based in Melbourne,…
Maybe Happy Ending, now on Broadway at the Belasco Theatre, looks great, sounds great, has splendid performances and touches the heart as it explores what it means to be human. Or to love. Or both. It has real songs, that advance the show and reveal the characters’ thoughts. It has fireflies. It has robots in…
Joseph Kloska, Kenneth Branagh (Photo: Marc J. Franklin) King Lear By Deirdre Donovan The legendary theater director Peter Brook compared King Lear to a mountain whose summit has never been reached. Actor-director Kenneth Branagh seems to have taken that observation as an invitation to scale what is arguably Shakespeare’s greatest achievement. But although Branagh grabs…
Memoirs can be self-serving or enlightening. If the author is funny, rueful and aware of personal ironies, they can be both. That’s the case with Delia Ephron (“You’ve Got Mail”), the Hollywood screenwriter/novelist who penned a best-selling 2022 memoir. She addressed her cancer recovery and the surprise of finding love after her husband’s death. Ephron,…