Ronald Peet Photos Monique Carboni “Daddy” A Melodrama By David Schultz Well at least the gorgeous full-length pool looks inviting. Set designer Matt Saunders has created a whopper of an eye candy environment. Set in the outdoor environs of a swanky Bel Air, Los Angeles mansion the pool in question beckons invitingly. With…
Debra Jo Rupp photos by Joan Marcus The Cake By Ron Cohen When a Colorado baker refused to bake a wedding cake for a same-sex couple, the controversy went all the way to the Supreme Court. In her play The Cake, being given its New York premiere Off-Broadway by Manhattan Theatre Club, Bekah…
Manu Narayan, Emily Young, Brittany Bradford, and Ben Steinfeld photos by Joan Marcus Merrily We Roll Along By David Schultz Both loved and reviled in equal measure, this problematic musical is once again attempting the impossible. The original production (as every theater aficionado knows) shuttered in 1981, after a mere 16 performances…
Jamal Brathwaite (left), Amy Frances Quint (center) and Kevin Haver (right) photos by Maria Baranova), Twelfth Night: Frog and Peach R. Pikser The intimacy of a black box theater brings audiences close to the performers; the spare space requires use of the imagination by directors, performers, and audience. One can…
Daniel Petzold and Peggy J. Scott in . Photo by Rana Faure. Switzerland by Julia Polinsky Switzerland has a simple plot, in which reclusive writer Patricia Highsmith (Peggy J. Scott), who lives in Switzerland, gets a visit from Edward Ridgeway (Daniel Petzold), a feckless young man sent by her publisher to persuade her to sign…
Emma Geer and Nick LaMedica By Marc Miller The Mint Theater Company does well by Elizabeth Baker’s antique, but it’s hard not to feel you’re being lectured to. Elizabeth Baker’s The Price of Thomas Scott is an interesting little antique with a curious morality. The Mint Theater Company’s initial offering in its…
By Arney Rosenblat Call Me Madam holds the unique status during City Center’s diamond jubilee year of being a revival of a beloved revival which highlighted the second season of Encores1 and “put the series on the map.” The 1950’s musical itself, Call Me Madam, also brings with it a unique history,…
Christopher Sutton Photos Andrew Evan Cohen by Deirdre Donovan Peter Filichia’s God Shows Up is a heaven-sent comedy that gives us a fresh perspective on God in the new millennial. Directed by Christopher Scott, and with a terrific acting ensemble, it’s a drama that theatergoers of all religions—or no religion—can enjoy….
M. Martine Allard, Ron Lucas, Anita Welch, Tony Perry, Amy Jo Phillips photo by Pia Hasa Ain’t Misbehavin’ The Fats Waller Musical Show by Julia Polinsky Ain’t Misbehavin’: say those words, and Fats Waller’s oversize personality and terrific songs leap to mind. The African-American stride pianist, hamming it up in his derby hat,…
Betty and the Belrays by Julia Polinsky William Electric Black’s Betty and the Belrays takes place in Detroit, in 1963. The Motown sound is hot and getting hotter – on black radio stations. Betty Belarosky, (Paulina Breeze), a perky blonde teen with a serious love for the music of black girl groups…