Reviews Archives

  • DATA

    Sophia Lillis, Kran Brar, Justin H. Min (Photo: T Charles Erickson) Data By Joel Benjamin on February 2, 2026 Data, by Matthew Libby, is a quietly frightening, revelatory play, now running at the Lucille Lortel theater. Data slowly creeps into the brain as it reveals its secrets. First produced at the Arena Stage in 2024,…

  • Watch Me Walk

    Soho Rep’s new production, Watch Me Walk, is an intermittently funny, often nuts, pissed-off pity party piece of avant garde theater created by and starring Anne Gridley. Anne has Hereditary Spastic Paraplegia, a rare degenerative neurological disease that really, really messes with a body’s ability to walk. Her mother and grandmother had it, and she…

  • The Disappear

    The Disappear, Erica Schmidt’s clever, talkative take on the marriage of tragedy, comedy, art, creativity, and, well, marriage, is now open at Audible’s Minetta Lane theater. As Schmidt directs the play, the intimate space emphasizes the claustrophobic nature of the lives of charming narcissist filmmaker Benjamin Braxton (Hamish Linklater) and his wife Mira (Miriam Silverman)….

  • Marjorie Prime

    What would it be like to conjure up a long-deceased family member and talk to them again in the twilight of your years? With Marjorie Prime, now at the Hayes, playwright Jordan Harrison has just done it, twice actually. Premiering originally in 2015 at The Mark Taper Forum, then in its New York premiere at…

  • Tartuffe

    Tartuffe, Moliere’s 17th-century farce about wealthy French people easily deluded by a religious hypocrite and moral reprobate, speaks to every age. Lucas Hnath’s new adaptation, now off-Broadway at New York Theater Workshop, utilizes more modern language, but the message remains. It’s easy to swindle those blind to reality, even in the face of overwhelming proof….

  • Anna Christie

    St. Ann’s Warehouse revives Eugene O’Neill’s Pulitzer Prize–winning Anna Christie with Michelle Williams inhabiting one of the most formidable roles in the American canon, under the assured direction of Thomas Kail. Set against the Brooklyn waterfront and supported by a distinguished ensemble including Tom Sturridge, Brian d’Arcy James, and Mare Winningham, this production reframes O’Neill’s…