Reviews Archives

  • Just in Time

    When Jonathan Groff finishes a big number in Just in Time—and there are quite a few—he’s a mess. Bent over, breathing heavily from holding that long last note, wet hair in his face, sweating so profusely that the authors slipped a joke about it into the script, he has given, given, given. And when he’s…

  • Purpose

    Set in Illinois, Purpose revolves around the fictional Jasper family, and its rich history in politics and culture. The plot unfolds during a family dinner that exposes deep-seated tensions and long-hidden secrets. The play explores themes of legacy, the struggle for individual identity within a family rooted in activism, and the challenges of trying to…

  • Good Night and Good Luck

    George Clooney and Grant Heslov’s new play, Good Night, and Good Luck, an adaptation of their 2005 film, arrives on Broadway with plenty of buzz. Directed by David Cromer, this production doesn’t disappoint, largely due to Clooney’s charisma and his affecting portrayal of the revered broadcast journalist, Edward R. Murrow. Describing Good Night, and Good…

  • Smash

    First, this Smash is a departure from the NBC series. The theatrical focus is on the making of Bombshell: The Marilyn Monroe Musical, not the who-will-play-Marilyn frenzy that accompanied the maligned TV show or what New York termed “appointment hate-watch.” That’s a plus — as this Smash is a musical comedy, a tart valentine to…

  • Boop! The Musical

    Betty Boop was a Jazz Age creation, known for her sexy body, high-pitched voice and flirty charm. Inspired, in part, by two 1920s jazz singers, Helen Kane and Baby Esther, she made her debut in 1930 in the Fleischer Studios’ Talkartoons. And such is her appeal, she’s remained a public figure for almost 100 years….

  • We Had a World

    Jeanine Serrales, Andrew Barth Feldman, Joanna Gleason. (Photo: Jeremy Daniel) We Had a World By David Schultz Playwright Joshua Harmon’s new autobiographical play, We Had A World, is densely packed with emotional family drama in a nonlinear structure. Taking place from 1988 to around 2018, our narrator Joshua (Andrew Barth Feldman) gives the viewer a…