Reviews Archives

  • Angry Alan

    In Angry Alan, directed with clinical precision by Sam Gold, John Krasinski plays Roger, a 45 year-old man from the Midwest, teetering on the edge of crisis. Reeling from a divorce, a demotion, and a growing sense that the world no longer makes space for him, Roger finds solace—and danger—in an online movement that promises…

  • Lowcountry

    In Lowcountry, playwright Abby Rosebrock delivers a razor-sharp romcom that dives headfirst into the emotional wreckage of modern love, and life on the margins of respectability. Under Jo Bonney’s clear-eyed direction, what unfolds is not just a first date gone awry, but a raw, often hilarious exploration of psychic pain in the age of dating…

  • Call Me Izzy

    Call Me Izzy is about Izzy, a woman from rural Louisiana imprisoned in an abusive marriage. Only a couple weeks out of high school, she married Ferd who was 5 years her senior; her uncaring parents were happy to be rid of her. Ferd, who speaks with his fists, is a quick tempered man who…

  • The Imaginary Invalid

    Sarah Stiles, Mark Linn-Baker (Photo: Carol Rosegg The Imaginary Invalid By Fern Siegel Molière’s 17th-century comedy The Imaginary Invalid is a satirical send-up of doctors, hypochondriacs, lovers and con men. In its latest production off-Broadway at New World Stages, an excellent cast, a 21st-century adaptation by Jeffrey Hatcher, and director Jesse Berger keep the pace…

  • Lunar Eclipse

    Lisa Emery, Reed Birney (Photo: Joan Marcus) Lunar Eclipse By Marc Miller The 21st century theater has distinguished itself by consistently being a welcoming space for viewpoints that might have a hard time finding safe harbor elsewhere. Minorities-racial, sexual, whatever-can confidently assert their opinions and identities, with little fear of political opponents shouting them down…

  • Lights Out

    Now at New York Theatre Workshop, Lights Out may seem on the surface to be just another bio-musical, this time about Nat “King Cole” (Dulé Hill in a superb performance) but it is much more than that. Go with an open mind, and you’ll do well, because it’s very, very good. The audience seemed to…

  • GODDESS

    There’s divinity at work – literally – in a show now playing at the Public Theatre. It’s appropriately called Goddess– and it will transport you to a vibrant culture with its heavenly music, supernatural characters, and inspiring message. Most of the scene is set in Mombasa, Kenya, largely at Moto Moto, a free-spirited, underground nightclub….

  • Stephen Sondheim’s Old Friends

    Stephen Sondheim’s Old Friends is a heartfelt farewell love letter to the legendary Stephen Sondheim. The show brings together the finest talents from Broadway and the West End in an unforgettable tribute to one of theatre’s most iconic composers and lyricists, celebrating some of his most beloved works. Leading the production is none other than…

  • Dead Outlaw

    Sneaking in at the end of April as one of the final musicals to transfer from off-Broadway and open on Broadway this season, Dead Outlaw tells the thrilling true story of a notorious criminal whose corpse was turned into a carnival attraction—and ultimately left a greater impact on the world after his death than he…

  • Floyd Collins

    Floyd Collins, the revived musical now at Lincoln Center’s Vivian Beaumont Theater, is based on a true story. In 1925, a Kentucky cave explorer (Jeremy Jordan) searches Sand Cave, hoping to capitalize on tourist interest. Squeezing through tight spaces that would terrify others, Floyd Collins’ luck runs out. His spelunking causes him to lose his…