Note from the Publisher



Photo by: Bruce Glikas


"If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot."
- Joan Rivers

 

“Joan Rivers loved Broadway and we loved her. Due to the outpouring of love and respect for Joan Rivers from our community and from her friends and fans worldwide, the marquees of Broadway theatres in New York will be dimmed in her memory, at exactly 6:45pm for one minute.”

 

Charlotte St. Martin, Executive Director, The Broadway League

 


marian seldes

BROADWAY TO DIMMED ITS LIGHTS

WEDNESDAY, OCTOBER 8TH

IN MEMORY OF TONY-AWARD WINNING

PREMIER STAGE ACTRESS

MARIAN SELDES

 (New York, NY)  October 7, 2014 -- The Broadway community mourns the loss of Marian Seldes, a Tony Award®-winning actress, five-time nominee, and the recipient of a Special Tony Award for Lifetime Achievement in the Theatre. She died on Monday at the age of 86. The marquees of Broadway theatres in New York will be dimmed in her memory tomorrow evening, Wednesday, October 8th, at exactly 7:45pm for one minute.
"Marian Seldes's name is synonymous with theatre. Her persona on the Broadway stage was as real as her genuine grace and kindness off stage,” said Charlotte St. Martin, Executive Director of The Broadway League. “Her lovely elegance and iconic talent will be deeply missed by her family, friends and fans."

With a career that spanned 60 years, Marian Seldes made her Broadway debut in 1947 in the Robinson Jeffers adaptation of Medea directed by John Gielgud and starring Judith Anderson in the title role. In 1967, she won a Tony Award® as Best Featured Actress in a Play for her role in A Delicate Balance by Edward Albee. Ms. Seldes has a long association with the playwright, appearing in The Play About the Baby, Tiny Alice, Counting the Ways (as part of Beckett/Albee plays) and Three Tall Women, a tour de force for the actress. She entered the Guinness Book of World Records for her appearance in Ira Levin’s Deathtrap when she didn't miss a single performance of the play’s four-year run.

Other stage credits include Equus, Painting Churches, The Milk Train Doesn’t Stop Here Anymore, and The Chalk Garden. She received Tony Award nominations for her performances in Father’s Day, Deathtrap, Ring Round the Moon, and Dinner at Eight. Her last appearance on Broadway was in 2007 in Terrence McNally’s Deuce.

In 2010, Ms. Seldes received a Special Tony Award for Lifetime Achievement honoring her contribution to the theatre and her extraordinary talent.

Ms. Seldes also had an extensive career in movies, television and radio. She authored two books: “The Bright Lights,” a memoir; and a novel, “Time Together.”

She taught for many years at The Juilliard School and later as an adjunct professor at Fordham University.

Editor’s note:

 

The published biographies, impressive as they seem, in no way can capture the warmth that Ms. Seldes’ presence radiated into whatever space she inhabited. But most especially the way she would, when approached, more often than not wrap her arms around you followed by a kiss in the cheek, gazing into your eyes in rapt attention to whatever you were saying, seemingly grateful for the recognition.

I experienced this each time I saw her at theater functions and always left a bit exalted

not daring to think that she couldn’t possibly have remembered me,

dreaming that she did.

I miss her already.

Jeanne Lieberman, Publisher


BROADWAY  DIMMED ITS LIGHTS

FRIDAY, OCTOBER 10th

IN MEMORY OF DIRECTOR, CHOREOGRAPHER, PERFORMER, DESIGNER

GEOFFREY HOLDER

(New York, NY)  October 8, 2014 -- The Broadway community mourns the loss of Geoffrey Holder, the 1975 Tony Award®-winning director and costume designer of The Wiz who died on Sunday at the age of 84. The marquees of Broadway theatres in New York will be dimmed in his memory Friday, October 10th, at exactly 7:45pm for one minute.
Geoffrey Holder was a multi-talented stage and film artist who directed and designed the original Broadway production of The Wiz for which he won two 1975 Tony Awards® for Best Direction of a Musical and Best Costume Design. In 1978, Mr. Holder directed and choreographed the Broadway musical Timbuktu!, receiving a 1978 Tony Award nomination for Best Costume Design.
"No one who saw The Wiz will ever forget the memorable experience, in large part thanks to the direction and design brought to the Broadway stage by Geoffrey Holder,” said Charlotte St. Martin, Executive Director of The Broadway League. “An incredibly talented artist seen in many mediums, his visual creativity and influence was unforgettable.”
Mr. Holder made his Broadway stage debut in House of Flowers, the 1954 musical by Harold Arlen and Truman Capote. 1957, he played Lucky in an all-black production of 
Waiting for Godot. In 1964 he supported Josephine Baker in a Broadway revue built around the legendary performer.
In the 1950’s, Holder was a principal dancer with the Metropolitan Opera Ballet in New York.  As a choreographer, Holder has created dance pieces for many companies, including the Alvin Ailey American Dance Theater and theDance Theatre of Harlem .Movie career highlights include:All Night LongDoctor Dolittle, Everything You Always Wanted to Know About Sex, Boomerang, Live and Let Die. In the 1982 film version of the musical Annie, Holder played the role of Punjab. He was also the voice of Ray in Bear in the Big Blue House and provided narration for Tim Burton's version of Roald Dahl's Charlie and the Chocolate Factory.
Holder was a spokesman for the 1970’s 7Up soft drink "uncola" advertising campaign.He reprised his role as the 7Up spokesman in the 2011 season finale of The Celebrity Apprentice.
Holder was a prolific painter, art collector, book author and music composer. As a painter, he won a Guggenheim Fellowship in fine arts in 1956. In 1955, Holder married dancer Carmen de Lavallade, whom he met when both were in the cast of the musical House of Flowers. They had one son, Leo Anthony Lamont. Holder's brother was artist Boscoe Holder.

He is survived by his wife, Carmen de Lavallade, and their son, Léo.

Jack Mitchell / Getty Images

 

Editor’s notes:

It is impossible to capture the larger-than-life charisma

 of this scintillating Renaissance man of all talents.

The sight/sound of him produced a ripple of excitement

even if  you didn’t know who he was.

A rare phenomenon his voice was as unmistakable

 as his visual touch on all the arts, most especially dance.

Truly unforgettable

 

Jeanne Lieberman, Publisher


Broadway's lights are going up at the astonishing rate of a new show a night
in this fertile new star studded season
it is even more poignant when these same lights are dimmed
 as a series of extraordinary presences leave us
These three:
Joan Rivers
Marian Seldes
Geoffrey Holder
each in their unique and different ways
define Theatricality
and if we look closely we will be able to see/feel their influence
on the variety of new productions that Theaterscene is happy to define for you
 in our forthcoming issues

I consider each new article a tribute to them
in one way or another

Jeanne Lieberman

See you at the theater………………

Jeannie Lieberman
Publisher, Theaterscene.com
Publisher, Fire Island Sun. com
voting member: Drama Desk
Outer Critics Circle
Drama League
ATCA

Letter's to the Editor

Dear Jeannie,

Thank you for sending me your publication- your tributes
to Joan Rivers, Marian Seldes and Geoffrey Holder were beautiful and
heartfelt.  It is almost too painful to think of them leaving our
space.  They have been so important to us and the larger theater
community.

Hope to see you soon!! XO- roz


Jeanne, darling,

Lovely tributes to all.  And so deserved!

I didn't know Mr. Holder but certainly saw Ms. Rivers out and about at the theatre often through the years and spoke with her a couple of times.  Always funny, always gracious, and yes, she did love the theatre and was one of its greatest supporters.

As for Marian, our dear Marian, I weep at the idea that she will not be gracing the stage and among the audience.  I knew and adored her.  Sometime when I see you, I will re-enact for you the first time I ever met Marian.  It was at the Outer Critics Circle Awards many, many years ago.  I cannot say enough good about her great talent and unwavering, unbridled enthusiasm for the theatre and everything about it.  It's the way many of us feel about the theatre and she was able to articulate it with such reverence, love, and joy!

Thanks so much for sharing these beautiful tributes.

With love and admiration,
Patrick  

Patrick Hoffman
Director,
Theatre on Film and Tape Archive
New York Public Library for the Performing Arts
40 Lincoln Center Plaza
New York, NY  10023-7498
(212) 870-1689   telephone
(212) 870-1769   fax
patrickhoffman@nypl.org

Columns

Editor's Notes: The New Season ’14-‘15
By Jeanne Lieberman on Sept. 18
Star Power on Broadway
Producers have figured out they can recoup their investments quickly and painlessly by casting Hollywood stars in their shows. Actors can also make a quick bundle (and satisfy their acting chops) in limited runs. The result – a celestial jamboree on Broadway for savvy theatergoers who will make sure to get their tickets often and early!

Editor's Notes: Talkin’ Tony’s
by Jeannie Lieberman on May. 1
Is Neil Patrick Harris the new Hugh Jackman

Editor’S Notes: The Spring Season Midway
by Jeannie Lieberman on Apr. 21
The mid-season March to the Tonys is nothing short of theatrical ecstasy.(so far)

Editor’s Notes: What happened to the Broadway Musical?
by Jeannie Lieberman on Feb. 15

Broadway - Musicals

HOLLER IF YA HEAR ME
by Eugene Paul on June. 26
The phenomenon that was Tupac Shakur, immortalized in his own short time on this planet, inspires this new “musical”.

The Last Ship
by Eugene Paul on Oct. 30

An amazing, impressive production with splendid moments and big holes mightily supports Sting’s unfinished musical memoir.

On The Town
by Eugene Paul on Oct. 28

Bigger and more beautiful, wiser and wittier, funnier and more affectionately satisfying than ever before. Don’t even hesitate..

‘Phantom of the Opera’
Welcomes Norm Lewis as its First Black Lead on Broadway

by Jeanne Lieberman on June. 18
Lewis brings a sexually intense, almost menacing persona, overpowering in this version and every indication the magic of this opus still works.

Cabaret
by Laura Jo Trexler on May. 8
Though The Newest Revival Is Far From Original Or New, Kander And Ebb’s Cabaret Still Compares To Few.

A Gentleman’s Guide To Love & Murder
By Michall Jeffers on May. 8
Lunacy abounds in a gleeful Gilbert-and-Sullivan-meets-music-hall delight featuring the incomparable Jefferson Mays.

Hedwig And The Angry Inch
By Michall Jeffers on May. 1
Tony presenter Neil Patrick Harris should be up for his own Tony this season. This is not a production for those of delicate sensibilities but definitely has the potential to become another cult musical.

After Midnight!
By Jeanne Lieberman on May. 1
The performances are a series of gems that shine brightly alone but blaze in unison until your heartbeat echoes the music’s rhythm, cardiologists take note! Artistic director Wynton Marsalis, and his Jazz at Lincoln Center All-Stars, launch you on a magical musical carpet ride that will eventually carry you on out to the street

Bullets Over Broadway
by Eugene Paul on Apr. 21
Susan Stroman's razz ma tazz romp through Woody Allen's hilarious take-off on putting on a Broadway show is a great big splashy old fashioned musical.

If/Then
by Eugene Paul on Apr. 6
Devotees of Broadway belters are destined to flock to Idina Menzel’s huge sounds in her new show filled with good company.

The Bridges Of Madison County
by Jeannie Lieberman on Mar. 28
Jason Robert Brown’s lush score is soaringly romantic, the coupling of Steven Pasquale and Kelli O’Hara, pure theater magic.

Aladdin
by Jeannie Lieberman on Mar. 26
A true Disney magic carpet ride of opulent costumes, dazzling sets, creative choreography, savvy showbiz shtick and a Genie for all time.

Beautiful - The Carole King Musical
by Jeannie Lieberman on Jan. 29
A feel good evening of special delight to her fans and all those who just want a slick, nostalgic, music-packed evening.

Broadway - Plays

THE COUNTRY HOUSE
By By David Schultz on Oct. 30

Chekhov Lite in the Berkshires.

The Curious Incident Of The Dog In The Night-Time
By Eugene Paul on Oct. 21

Be prepared for jolt after jolt in one of the most inventive, immersive, exciting evenings you will spend in the theatre.

It’s Only A Play
by Michall Jeffers on Oct. 16

Both self-referential and self-reverential this smash hit is playing to full houses chocked with appreciative theater goers.

You Can’t Take It With You
by Michall Jeffers on Oct. 10

Director Scott Ellis has taken this old chestnut and used his alchemy to turn it into spun sugar.

Love Letters
by Eugene Paul on Oct. 7

A.R.Gurney’s Love Letters has returned and should never go away again.

This Is Our Youth
by Joel Benjamin on Oct. 6

The three young people come across as confused, intelligent, though, it has to be said, still incredibly irritating

Act One
by Deirdre Donovan on May. 1
James Lapine brings Moss Hart’s classic autobiography alive on Lincoln Center Theater’s stage. Of all Broadway's productions this season, Act One most deepens that tinsel-tinged adjective theatrical.

The Cripple of Inishmaan
By: Eric Grunin on May. 1
McDonagh's Cripple of Inshmaan is an Irish comedy with more than a touch of the tragic...or is it the other way around? He does a brilliant job of navigating between the two. Radcliffe displays an extraordinarily radiant, desperate passion for simply being onstage.

Casa Valentina
By Michall Jeffers on May. 1
Do clothes make the man? Cross-dressing in the Catskills was both liberating and dangerous; a gifted ensemble makes the trip worthwhile.

Lady Day at Emerson’s Bar & Grill
by Eugene Paul on May. 1
Audra McDonald has vaulted past anything she’s ever done to this pinnacle of performance art, her portrait of Billie Holiday.

Of Mice and Men
by Eugene Paul on May. 1
In a season bursting with outstanding performances, there hasn’t been a finer staging than this harrowing American drama.

The Realistic Joneses
by Deirdre Donovan on May. 1
In spite of its misleading title, Will Eno’s The Realistic Joneses is a charming new play that is bound to tickle your funny bone and make you think twice about the people who live next door.

All The Way
by Eugene Paul on Apr. 21
A major performance among performances in a major play is one of the highlights of an extraordinary theatrical season.

Bronx Bombers
by Eugene Paul on Feb. 26
In this love letter to the Yankees, you will encounter Yankee greats from Babe Ruth to Derek Jeter in their prime.

Machinal
by Eugene Paul on Jan. 29
Rebecca Hall makes her Broadway debut unmistakably in every scene of this sterling revival of an American expressionistic play.

Waiting for Godot
by Deirdre Donovan on Dec. 11
Staring into the void just became a first-rate experience as two great British actors take on a Beckett classic.

Off-Broadway - Musicals

The Power Of Love: Rappaccini's Daughter, Out The Window
by Joel Benjamin on Sept. 29
Two flawed, but worthwhile operas that had enough going for them to merit a visit to the East Village.

Piece Of My Heart
by Eugene Paul on August. 7
He wrote the songs that made the stars come out but no one knew his name, until now. With 26 of his songs, the songs of Bert Berns.

Pump Boys and Dinettes
by Eric Grunin on July. 24
More than a revue, less than a song cycle, Encores! takes a second look at this hardy Country and Western entertainment from the early 80s.

Tick, Tick...Boom!
by Eric Grunin on July. 18
A lesser-known work of Jonathan Larson shows themes that was to he develop further in Rent.

Rugantino
by Joel Benjamin on June. 18
A spectacle that winningly combines Italian folk themes, music, dance, and a large cast who all sang their hearts out

Boogie Stomp!
Variations Theatre Group at the Chain Theatre

by Joel Benjamin on June. 5
Two brilliant, devoted musicians playing the music they love—what could be better?

Heathers: The Musical
by Deirdre Donovan on June. 5
This new killer musical takes bullying out of the closet and exposes its psychological layering with some very witty songs.

Here Lies Love
by Stewart Schulman on May. 30
An energetic “immersive” theatrical experience with a great cast and a great true story, unfortunately mostly untold.

TROUBLEfuturesongs
by Joel Benjamin on May. 22
Three imaginatively and wittily staged operas with complementary themes making for a fascinating evening of music and drama.

Forbidden Broadway Comes Out Swinging
by Michall Jeffers on May. 8
Sometimes the truth hurts; but a talented cast and lots of laughs eases the pain.

Irma La Douce
New York City Center Encores!

by Joel Benjamin on May. 8
Although not the most exciting show in the Encores!, this show has a charming score and great performances.

Encores!: The Most Happy Fella
by Joel Benjamin on Apr. 7
A rousing, first rate staging of a shining example of American musical theater.

Off-Broadway - Plays

Secondary Pitch
by Eugene Paul on Oct. 21

How can a determined girl TV producer put the elements together for a “reality” show if the elements are battling brothers?

Six Passionate Women
by Deirdre Donovan on Oct. 21

Mario Fratti’s comedy, which was the prototype for the hit musical Nine, is being revived at Theater for the New City.

King Lear, presented by Shakespeare’s Globe
by Eric Grunin on Oct. 8

A potentially interesting production, but lamed by problematic doubling (and perhaps a bit of road-weariness).

The Killing of Sister George
The Actors Company Theatre

by Joel Benjamin on Oct. 7

A sadomasochistic lesbian relationship between a tough middle-aged actress and her childlike lover not as explosive as when first produced

Uncle Vanya
by Deirdre Donovan on Oct. 3
The thorny complexities of Chekhov’s characters are revived in the Pearl Theatre’s new production of his 1899 classic.

The Old Man and the Old Moon
New Victory Theater

By Joel Benjamin on Oct. 3
A charming, occasionally dark tale about how the moon got its phases, told with imagination and skill.

Next to Normal
By Eric Grunin on Sept. 29
The Gallery Players in Brooklyn have mounted a straightforward production that demonstrates the solid excellence of the piece and tears your heart out.

Dancing Monk Ippen
By R. Pikser on August. 28
An energetic and disciplined young company in a tale from the annals of Buddhism represents Japan at the New York Fringe

King Lear
By Eugene Paul on August. 7
John Lithgow gives an inspired, moving performance in this towering tragedy, one of Shakespeare’s great plays.

Gertrude: The Cry
By Eugene Paul on August. 7
Howard Barker’s re-examination of Hamlet’s adulterous mother, Gertrude.

Pentecost
By Eugene Paul on August. 7
Work on restoring an art masterpiece is interrupted by a mob of armed, war torn refugees seeking their own salvations. Fully engaging.

The Qualification Of Douglas Evans
by Eugene Paul on July. 24
The Amoralists plunge headlong into the harrowing subject of man’s propensity for repeating his history.

Enter At Forest Lawn
By Eugene Paul on July. 24
If you’ve wondered about the frustrations behind those TV shows you see happily going on week after week. Wonder no more.

The Other Mozart
By Eric Grunin on July. 3
Sylvia Milo does a lovely job showing us the 18th Century from an unexpected point of view, that of Mozart's older sister.

Donogoo
By Joel Benjamin on June. 26
Both fun and unsettling, the Mint Theater’s imaginative production keeps this 1920’s comedy still relevant.

Much Ado About Nothing
By Eugene Paul on June. 26
Aside from its title this craftily constructed corkscrew of a play and this production is perfect.

When We Were Young And Unafraid At City Center , 55th St .
By Eugene Paul on June. 26
Director Pam MacKinnon mounts a splendid production, with a superb cast in playwright Sarah Treem’s engrossing play. Go!

Too Much Sun
By Joel Benjamin on June. 18
Even a second rate Nicky Silver play is worth seeing, especially when given the Vineyard’s first rate production graced by his muse, Linda Lavin.

Farcicals
By Eugene Paul on June. 18
In keeping with transAtlantic amity, Brits Off Broadway offers a double portion of an American favorite: British farce.

Time Of My Life
By Eugene Paul on June. 18
The splendid Ayckbourn Ensemble gives a piercing performance in this chilly comedy of bad manners.

Ethel Sings
The Unsung Song of Ethel Rosenberg

By Joel Benjamin on June. 18
Although basically factual, this show does nothing to illuminate the tragic events of the lives of Julius and Ethel Rosenberg.

ARRIVALS & DEPARTURES
by Eugene Paul on June. 5
A wonderful ensemble enables the astonishing Sir Alan Ayckbourn to continue to astonish and delight us with his newest works.

A FABLE
by Eugene Paul on May. 22
In a handsome, active setting, this large, vigorous cast tackles the largest of themes, Good and Evil and the human condition.

The City Of Conversation
by Michall Jeffers on May. 22
Jan Maxwell in the riveting Hostess with the Mostest in Georgetown where the Capitol Hill elite chit chat over drinks, and where outsiders aren’t welcome

The Rivals
by Eugene Paul on May. 8
Make haste. At least totter your damnedest to the Pearl for a romp of a show, a treat for eye, ear, mind and heart in Pearl Company’s handsomest production.

The Mystery of Irma Vep: A Penny Dreadful
By Joel Benjamin on May. 1
A clever cultural commentary; a sophisticated, tongue-in-cheek parody and a display of the talents of two wonderful actors who turn themselves inside out to please.

The Substance of Fire
By Joel Benjamin on May. 1
A dark, but penetrating look at a very literate family.Jon Robin Baitz’s use of language and innuendo is astonishing in its literacy and sharp understanding of each character’s idiosyncrasies.

A Respectable Widow Takes To Vulgarity & Clean
by Eugene Paul on Apr. 13
A delightful double bill from Scotland’s burgeoning theater scene featuring up-front, adventuresome, women having fun.

FEATURES

John Lahr and Tony Kushner on Tennessee Williams
by Joel Benjamin on Oct. 8

Lahr's biography Mad Pilgrimage focuses on the interdependence of Williams’ mental and emotional health and the quality of his writing.

“FINDING NEVERLAND” PRODUCER HARVEY WEINSTEIN WINS “RIEDEL CHALLENGE” NEW YORK POST COLUMNIST MICHAEL RIEDEL ADMITS DEFEAT AFTER “FINDING NEVERLAND” EARNS THE LOVE OF 96% OF ITS AUDIENCE

92nd Y TALKS Sept 14, 2014
Andrea Martin in Conversation with Nathan Lane

by Linda Amiel Burns on Sept. 14
The 92ndY launched its new season of TALKS with 2 Tony winners in conversation – Nathan Lane interviewing Andrea Martin about her new book, “Lady Parts.”

Town Hall raises the roof to honor Fiddler on the Roof’s 50th birthday, composer Sheldon Harnick’s 90th, Folksbein Theater celebrates 100th
by Linda Amiel Burns on June. 18
Casts from the past helped celebrate.

“BLACK STARS OF THE GREAT WHITE WAY”
AT CARNEGIE HALL JUNE 23, 2014 8 PM
by Jeanne Lieberman on June. 18
In the wake of his appearance in Phantom, Norm Lewis and co producer Chapman Roberts have created an evening saluting some of the greatest musical heroes in history.

Broadway Up Close Walking Tours
by Deirdre Donovan on May. 30
Actor Tim Dolan invites everybody to get up close to Broadway and learn its history and lore on foot.

THE AWARD GOES TO:
The Outer Critics Circle, Drama League, Theater World and the Obies announce their winners!
by Jeannie Lieberman on May. 22
Drama Desk and Tonys to come………………

AND THE NOMINEES ARE…………
by Jeannie Lieberman on May. 1
TIME TO GET SERIOUS AS THEATER ORGANIZATIONS SUMMON THEIR VOTERS TO DECIDE THE WINNERS OF THIS VERY VARIED AND WONDERFUL THEATER SEASON:
TONY AWARDS NOMINEES
DRAMA DESK
DRAMA LEAGUE
OUTER CRITICS CIRCLE
WITH NO OBVIOUS FRONTRUNNERS THE RACE IS WIDE OPEN.

Cabaret/Concerts/Opera's

Konstantin Soukhovetski at the Lyric Chamber Music Society
by Deirdre Donovan on Oct. 28

The Rock Star Pianist of the classical music world made old classics sound new.

The 25 Annual Cabaret Convention at The Rose Theater
By Linda Amiel Burns on Oct. 27

The Mabel Mercer Foundation showcased singers, musicians, and composers for four glorious nights.

Gotham Chamber Opera
Alexandre Bis & Comedy on the Bridge by Bohuslav Martinu
By Joel Benjamin on Oct. 21

Two more different styles from the pen of a single musician, Bohuslav Martinu, a Czech composer, would be hard to imagine

The Mostly Mozart Festival
By Michall Jeffers on Sept. 10
The Season Wrapped Up With Magical Musical Moments

Mostly Mozart
by Deirdre Donovan on August. 2
Your playbill might read “Mostly Mozart,” but Beethoven and Haydn had the last word in this August 2nd program.

The Mabel Mercer Foundation: “It Might As Well Be Spring”
A Celebration In Song Of The Incomparable Life Of Margaret Whiting

by Linda Amiel Burns on June. 26
An all-star cast celebrated the life of legend Margaret Whiting in song at Weill Recital Hall hosted by her daughter Debbi and KT Sullivan.

The American Classical Orchestra: Prague, Golden City of Music
by Deirdre Donovan on June. 18
The fabled city of Prague comes alive with the sound of four great classical composers.

Carole J. Bufford: Shades of Blue
Metropolitan Room

by Joel Benjamin on June. 5
A “white chick” who gives the Blues a run for their money with a torrent of emotions, musicality and wit.

Going Solo in Terminally Delightful
by Edward Rubin on May. 30
BenDeLaRue, a Ru Paul alumnus, in his solo debut, had the audience eating out of his/her hands

A Maestro’s Memoirs
by Deirdre Donovan on May. 22
Musician Donald Pippin time-travels back through star-dusted moments in his long-and-winding career.

MURDER MOST FUN: A Conversation with the Team Behind “A Gentleman’s Guide to Love & Murder” at the 92nd Street Y
by Linda Amiel Burns on May. 22
The audience couldn’t seem to get enough of the delightful inside stories of the birth of this “Killer New Musical"

Lyrics & Lyricists at 92nd Street Y
Ziegfeld Girl: The Many Faces of Fanny Brice

by Linda Amiel Burns on May. 8
L & L pays tribute to iconic Ziegfeld star Fanny Brice 50 years after Funny Girl opened on Broadway.

The New York Pops 31st Birthday Gala: “Make It Big” honored Marc Shaiman and Scott Wittman.
by Stewart M. Schulman on May. 1
Under Music Director Steven Reineke, the roster of talent included over 230 musicians and guest artists, the largest cast ever in The Pops history, and the evening was a brilliant success!

David Ostwald and his Louis Armstrong Eternity Band at Birdland
by Jeanne Lieberman on May. 1
David Ostwald, who sets the pace and chooses the songs as he goes, leads a magic meld of multigenerational music meisters that varies slightly from week to week.

Dance

Fall for Dance 2014
New York City Center

By Joel Benjamin on Oct. 24

Five programs of four dance companies each in two weeks? A public feast at such reasonable ticket prices at the New York City Center

New York New York a helluva town
Career Transitions for Dancers’ 29th Anniversary Jubilee

By Joel Benjamin on Oct. 10

Gala for the organization that has helped hundreds of dancers”transition” through the end of one career and into another

STEPS
by R. Pikser on Oct. 8

A safe environment in which to practice one’s craft can also teach something to the audience.

The Fire Island Dance Festival
Now in its 20th Year
Shatters Fundraising Record with $533,860

by Jeannie Lieberman on July. 24
Produced by and benefiting Dancers Responding to AIDS a program of Broadway Cares/equity Fights AIDS

Japan Society Project IX – Pleiades
by R. Pikser on May. 22
This tribute to the music of the late Iannis Xenakis offers insight to the current approach to music and movement

Soaking Wet
by Joel Benjamin on Feb. 3
A well-organized and varied program of short dances by some talented dance makers.

Off-Broadway - Solo Performance

L.A. Unified

by Deirdre Donovan on Oct. 14
An actor turned substitute teacher makes the grade with his new autobiographical solo show at the 2014 Unified Solo Theatre Festival.

They Call Me Q
by R. Pikser on June. 18
Ms. Kadwani’s presence is engaging as a first generation American of Islamic Indian parentage but her show would benefit from help with the writing.

Just Jim Dale
by Joel Benjamin on June. 5
A One-Man Musical Comedy

Satchmo At The Waldorf
by Deirdre Donovan on Mar. 23
Theater critic Terry Teachout scratches beneath the surface of a jazz legend in his new one-man play starring John Douglas Thompson.

Off-Broadway - Multimedia

The Dancing Fox: Wisdom Tales of the Middle East
By R. Pikser on Sept. 18
Chosen from both Arab and Jewish traditions, these tales illustrate how people behave and about how they might behave better.

Abe Abraham
by R. Pikser on August. 7
A tightly controlled view of Hell – or trying to escape from one’s own Hell.

Amaluna
by Eugene Paul on Mar. 31
Cirque du Soleil’s newest of their many shows, thrilling, eye-popping, exciting, perhaps their most beautiful ever.

Regionals

South Pacific
by Eugene Paul on Oct. 6


A beloved American classic whose songs are as fresh as ever.

The Wizard of Oz
by Eugene Paul on Sept. 9

After 75 years, the world wide beloved The Wizard of Oz and “Over the Rainbow” is now live, on stage in Westchester.

Kathy Najimy “Lift Up Your Skirt” at Ice Palace ICONS
by Sherri Rase on Aug. 28
photos by Jeannie

“imagine what we could be if we weren’t continually patching up the holes the world puts in us, telling us we’re wrong, or bad" 

Jackie Hoffman is on Fire! (Island)” at the Ice Palace
by
Jeannie Lieberman on Aug. 28
photos by Jeannie

“The kvetching continues, the whining will go on” promised the motor mouthed, mobile faced, manic purveyor of blue tinged jewish flavored humor.

Linda Lavin & Billy Stritch at Fire Island's Cherry Grove
by Jeannie Lieberman on Aug. 8

The duo set the bar high for elegant entertainment.

LINDA EDER LAUNCHES NARDICIO’S ICON SERIES at CHERRY GROVE'S ICE PALACE
by Jeannie Lieberman on July. 24
photos by Jeannie

From ballads to blues to bouncy pop the audience joyously rode that trip with her.

Mary Poppins
by Edward Lieberman on May. 30
Mary Poppins hitched a ride on the East Wind to Westchester Broadway Theatre's 40th Anniversary and we are happy the wind will not shift until July 27th!

Ragtime
by Edward Lieberman on Mar. 24
A Glorious, Broadway-sized staging of a portrait of America at the turn of the 20th Century.